{"id":4,"date":"2020-08-17T09:24:14","date_gmt":"2020-08-17T07:24:14","guid":{"rendered":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/?page_id=4"},"modified":"2021-06-30T09:30:11","modified_gmt":"2021-06-30T07:30:11","slug":"accueil","status":"publish","type":"page","link":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/","title":{"rendered":"Accueil"},"content":{"rendered":" \n
\n
\n
\n

L’histoire racont\u00e9e<\/h2>\n

La vie et l’\u0153uvre de D\u00e9odat de S\u00e9verac <\/p>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n \n
\n
\n \"\" <\/div>\n
\n

\n 01<\/span>\n Le pays de l’enfance – 1872-1896<\/span>\n <\/h3>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n
\n \n
\n
\n \"\" <\/div>\n
\n

\n 02<\/span>\n La vie parisienne – 1896-1907<\/span>\n <\/h3>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n
\n \n
\n
\n \"\" <\/div>\n
\n

\n 03<\/span>\n Au c\u0153ur du gu\u00e9 – 1901-1909<\/span>\n <\/h3>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n
\n \n
\n
\n \"\" <\/div>\n
\n

\n 04<\/span>\n Au z\u00e9nith – 1909-1914<\/span>\n <\/h3>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n
\n \n
\n
\n \"\" <\/div>\n
\n

\n 05<\/span>\n La guerre et les derni\u00e8res ann\u00e9es – 1914-1921<\/span>\n <\/h3>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n \n
\n
\n
\n

Autour de D\u00e9odat<\/h2>\n

Articles th\u00e9matiques et \u00e9clairages<\/p>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n
\n
\n La musique pour piano – L. Pons<\/a> <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n Un engagement occitan – J-J Cubaynes<\/a> <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n Les amis de S\u00e9verac – C. Leprince<\/a> <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n +<\/a> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n \n
\n
\n
\n

Parcours musical<\/h2>\n

Une s\u00e9lection d\u2019\u0153uvres \u00e0 \u00e9couter et savourer, pour d\u00e9couvrir ou red\u00e9couvrir la musique de S\u00e9verac… <\/p>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n
\n <\/span>\n <\/div>\n <\/div>\n
\n
\n
\n
\n \n
\n \"\"\n <\/div>\n En vacances : Invocation \u00e0 Schumann<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Baigneuses au soleil<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Nymphes au cr\u00e9puscule<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Cerda\u00f1a : Les muletiers devant le Christ de Llivia (complainte)<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Sous les lauriers roses<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Le C\u0153ur du moulin : Sc\u00e8ne 6 de l\u2019acte II<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Choral de la Suite pour orgue<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n En Languedoc : Coin de cimeti\u00e8re, au printemps<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Le Chant de la terre : la Gr\u00eale<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Ma poup\u00e9e ch\u00e9rie<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n \u00c0 l’aube dans la montagne<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Souvenirs de C\u00e9ret<\/span>\n <\/a>\n <\/div>\n
\n \n
\n \"\"\n <\/div>\n Ave verum<\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n Toutes<\/a> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n \n
\n
\n
\n

Autres regards<\/h2>\n

Points de vue de musicologues et interviews de musiciens professionnels, articles, podcasts, vid\u00e9os, applis<\/p>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n
\n \n
\n
\n Vid\u00e9o<\/span>\n \"\" <\/div>\n
\n
\n

\n

D\u00e9odat, un humaniste, un romantique<\/p>\n

Fran\u00e7ois-Michel Rignol<\/p>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n

\n \n
\n
\n Vid\u00e9o<\/span>\n \"\" <\/div>\n
\n
\n

\n

D\u00e9odat et la Convivencia<\/p>\n

Jean-Jacques Cubaynes<\/p>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n

\n \n
\n
\n podcast<\/span>\n \"\" <\/div>\n
\n
\n

\n

Notes de programme et podcast<\/p>\n

Fran\u00e7ois-Michel Rignol, pianiste<\/p>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n

\n \n
\n
\n \"\" <\/div>\n
\n
\n

\n

Musicopolis 1905, la cr\u00e9ation de sa suite pour piano \u00ab\u00a0En Languedoc\u00a0\u00bb, par Anne-Charlotte R\u00e9mond Relax ! Une \u00e9vocation du compositeur D\u00e9odat de S\u00e9verac, par Lionel Esparza<\/p>\n

France musique<\/p>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n

\n \n
\n
\n Image interactive<\/span>\n \"\" <\/div>\n
\n
\n

\n

Le Parnasse occitan<\/p>\n

Biblioth\u00e8que de Toulouse<\/p>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n

\n \n
\n
\n Interview<\/span>\n \"\" <\/div>\n
\n
\n

\n

Notes de programme et interview<\/p>\n

Philippe L\u00e9og\u00e9, pianiste<\/p>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n

\n \n
\n
\n Appli<\/span>\n \"\" <\/div>\n
\n
\n

\n

Dans les pas de D\u00e9odat de S\u00e9verac<\/p>\n

CIMP, Mus\u00e9e de la musique<\/p>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n

\n \n
\n
\n Vid\u00e9o<\/span>\n \"\" <\/div>\n
\n
\n

\n

Un regard intime sur D\u00e9odat de S\u00e9verac en 3 portraits vid\u00e9os<\/p>\n

Les Amis de l’Esparrou<\/p>\n <\/h3>\n <\/div>\n <\/div>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n

\n
\n <\/span>\n <\/div>\n
\n <\/span>\n <\/div>\n
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n \n\n \n
\n
\n
\n

Ressources & m\u00e9dias<\/h2>\n

Les collections D\u00e9odat de S\u00e9verac de la Biblioth\u00e8que de Toulouse<\/p>\n <\/div>\n <\/div>\n <\/div>\n

\n \n
\n

\n Tout voir <\/h3>\n <\/div>\n
\n \"\" <\/div>\n <\/a>\n <\/div>\n <\/section>\n \n\n \n
\n
\n
\n

<\/h2>\n

<\/p>\n <\/div>\n <\/div>\n <\/div>\n

\n
\n
\n
\n
\n Les sources<\/a> <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n La collection num\u00e9rique<\/a> <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n Bibliographie<\/a> <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n +<\/a> <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/section>\n ","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/wp-json\/wp\/v2\/pages\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/wp-json\/wp\/v2\/comments?post=4"}],"version-history":[{"count":189,"href":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/wp-json\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":2559,"href":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/wp-json\/wp\/v2\/pages\/4\/revisions\/2559"}],"wp:attachment":[{"href":"https:\/\/expo.rosalis.bibliotheque.toulouse.fr\/deodat-de-severac\/wp-json\/wp\/v2\/media?parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}